This sub content title section you can add you real content.
Functional Assembladge, 2013 Lahore, Pakistan Found Objects: Artists use pre-existing objects, often discarded or repurposed, rather than creating something entirely from scratch. Conceptual Intent: The choice of objects carries meaning – whether social, political, or personal – and invites viewers to consider the context and associations. Hybrid Nature: Functional assemblages blur the line between art […]
Intimacy, Gallery-21, 2014 Moscow, Russia The two crisp-clean wooden stools exemplify the harmonious interplay of form and function. Intimacy, in its literal sense, refers to a close, familiar relationship between individuals. It encompasses various dimensions, including emotional intimacy, physical intimacy, and intellectual intimacy. Emotional intimacy involves sharing feelings and personal experiences openly. Physical intimacy includes […]
The Contrapposto, Gallery-21, 2014 Site-Specific-InstallationMoscow, Russia Contrapposto, an artistic technique, emphasizes the interplay between form and function. It suggests that beauty transcends mere symmetry, residing in harmonious discord and subtle tension. In contrast, the chair, a utilitarian object, blends aesthetics and practicality. Together, they invite contemplation of life’s balance—a delicate equilibrium found in graceful asymmetry […]
The Conversation, Gallery-21, 2014 Moscow, Russia The Conversation is borrowed from the idea of “Conscientia” a Latin term that translates to “consciousness” or “awareness” in English. It encompasses the state of being awake and aware of one’s surroundings, thoughts, feelings, and “sharing” experiences with others in the format of conversation. In a broader sense, “conscientia” […]
Waiting for Its History to Begin, Gallery-21, 2014 Moscow, Russia Waiting for Its History to Begin is a work I assemble from ordinary found objects. The juxtaposition of these abandoned objects against a painted surface creates a dramatic composition that invites viewers to observe and reflect. I titled it “Waiting for History to Begin” is […]
Social Puppet, 2019 Lahore, Pakistan The concept of the “Social Puppet” hung on the wall symbolizes the idea of individuals behaving as if they are mere puppets, controlled or influenced by external forces rather than being true to themselves. This metaphor suggests that many people in our lives may present themselves in ways that are […]
Social Sculpture, at Taseer Art Gallery, 2019 Lahore, Pakistan Social sculpture, as envisioned by Joseph Beuys, transforms human activity into an art form that shapes society. Tayyab’s interpretation of this concept critiques how mass media creates false yet convincing illusions that overshadow real issues. By presenting these social sculptures, Tayyab encourages people to interact with […]
The Puppet in Red & Gold, at Taseer Art Gallery, 2019 Lahore, Pakistan This describes a bride on the day she leaves her parent’s home to go to her groom’s house. Often, her parents choose the groom, not her. Her own preferences don’t matter, and she has to hide her feelings or admiration for another […]
Social Puppet II, at Como Museum, 2020 Lahore, Pakistan Social Puppet II is a depiction of a concept when a country is described as a puppet, it suggests a situation where its sovereignty and decision-making capabilities are undermined by stronger nations. The external and internal policies of the puppet country are often crafted to align […]
Social Sculpture II, 2020 Lahore, Pakistan Tayyab Tariq, inspired by Joseph Beuys’ concept of “social sculpture,” expands on the idea to explore the impact of mass media on contemporary society. Beuys introduced “social sculpture” to highlight art’s potential to transform society, encompassing human activities that shape social and environmental structures. Tayyab Tariq’s interpretation evolves this […]
Tayyab Tariq © 2024. All Rights Reserved
Privacy Policy / Terms of Use