“Reverse Ready-Made” critiques misleading interpretations of Islamic thought, particularly in the context of Pakistan’s ideological foundation. He argues that Pakistan’s vision was articulated well before its actual formation, specifically in Dr. Muhammad Iqbal’s Address of Allahabad in 1930. This address served as a “ready-made” philosophical blueprint by the time of Pakistan’s establishment in 1947.

In “Reverse Ready-Made,” Tayyab employs the principles of ready-made art—a concept popularized by Marcel Duchamp where everyday objects are presented as art—to challenge and deconstruct preconceived notions. By juxtaposing and disrupting the ready-made structures, Tayyab distorts their shapes and functions, thereby obscuring the complete picture of the original manufactured form. This distortion reflects the fragmented understanding and misinterpretation of Iqbal’s vision over time.

Through this conceptual approach, Tayyab not only highlights the complexities and contradictions within the socio-political landscape but also emphasizes the need to revisit and critically analyze the foundational philosophies. His work serves as a call to re-examine and reconstruct these ideas with clarity and depth, ensuring they align more closely with the true essence of Iqbal’s vision for Pakistan.